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Monday, 21 March 2016

Curating our perfect selves

"The warped self-perception and the lengths we go to curate a 'perfect' virtual self."



Curating our best online selves has become a priority, with 60 million images uploaded to Instagram every day, it appears we all try to find a version of ourselves that gets the most ‘likes.'
With blemish apps and slimming tools; promotion and PR companies swarming around, I ponder the question is any of this real? Is the version of yourself popping Prosecco, partying and pouting legitimate? Was the club really that cray? or did you blur your selfie to make you look 'crunk as'.
Research from the University of Buffalo indicates that women who base their self-worth on their appearance are likely to post more pictures of themselves on social media seeking validation.

“Social media is definitely something that is setting models apart because it makes someone relatable,” Gigi Hadid (1.6 million Instagram followers) But just how relatable is it to be working out with your trainer 6 days a week, getting your nails done everyday and jetting of to Malan and Mubai every other day. With comments such as #goallife and "i wish I was you" sets unrealistic expectations of what life can be, and followers become dissatisfied with their own exhistance.

Insta girls posing on beaches and promoting teeth whitening looks like the ideal lifestyle right? Getting payed to post pics of drinking juice and eating brunch? 
But when 19 year old insta-idol and lifestyle guru Essena O'Neill (612,000 IG followers) quit Instagram due to claims that social media 'is not real life' it's questioned how perfect up-keeping a perfect image is. 
On 27 October O'Neill deleted over 2,000 pictures “that served no real purpose other than self-promotion”, editing the captions to leave 96 posts in a bid to to reveal the manipulation, and insecurities she has behind them.
Some of us are experiencing feelings of insecurities and 'serious fomo' when looking at these girls lives."People are publicising usually something really cool or fun that they’re doing, or at least they make it appear that way. I absolutely feel insecure."

People feel pressured to look good purely for social media. Living in a cyber world where they exist souly for a thumbs up. "I would never post a photo that wasn’t flattering of me."
"I feel anxiety over how many likes I get after I post a picture. "
"Id defiantly delete a photo if it didn’t get enough likes." 

Although some insta-famous people use there powers of promo for good, such as spreading awareness for examples like LGBT and feminism and veganism, others are publishing plastic lifes that are leaving some of us feel lack luster and unappealing. 
the truth behind the filter is that not everything is at it seems, nobody's life is perfect and you cant believe everything you see through12 little edited squares.

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Friday, 4 March 2016

Pictochatting a 12 year old about boys.





pictochatting a 12 year old

- ch




we just broke up, he moved to New Zealand

-ch




I told my mum I was at your house

-ch




I cant text my parents took my phone away 

-ch












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Tuesday, 1 March 2016

Is love underwater?


In a culture that fetishsises youth, we are bombarded by references and synoptic tales of childhood. Looking into cinamatography that captures the pure essence of what its like to be young, I have noticed a trend; dramatic love scenes happen in swimming pools.
From The Graduate to Garden State and The Social Network to Romeo and Juliet, climatic moments of teen films are seen underwater.

It pondered me the question, why water? I like the concept of love and water being associated. Love is a consuming emotion, you can feel like your floating, and then you feel like your drowning.
Surrounded by someone and completely dissolved
a rapid tide gathered my moving waters
notions of free falling 
and being utterly sea sick
let go and feel fully immersed 
once treading water to jumping in headfirst diving into everything and anything.









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Tuesday, 9 February 2016

Protection and suffocation




She is vulnerable, she is naked Clasping herself she draws the dust sheeting around her, like a protective blanket of precaution, but yet she is left exposed. slowly drawing the air from her lungs, suffocated. Yet she draws in closer still, with the belief that she is protected. Her breathing becomes short, restricted. wrapping herself in, trapping herself in, alone.
unaware.




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